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Mastodon: AboutGet the appKeyboard shortcutsView source codev4.4.0-nightly.2025-04-01

Pottery by Osa

I’m ending the week on one of my favorite parts of the process—selecting coordinating hues of glaze and terra sigillata to paint my pots. I started working this way about a year ago. After collecting clay samples for many years, I finally began using them to decorate my pottery. It has added so much to my work in terms of cultural expression and connection to the Earth. More details in the

A square photo of a clay sample next to a fired test tile. The clay is a dark orange-tan color and the tile is dark orange-brown with a soft sheen. Both objects lay on a gray concrete floor. The clay was collected from the land around Arrowmont School of Crafts in Gatlinburg, Tennessee, in the Smoky Mountains. It’s a place I’ve been able to travel to three times so far and holds positive memories for me. I’ve attended workshops there and also taught there myself.
The image features a collection of colorful ceramic test tiles with decorative patterns, placed in front of jars labeled with different place names that correspond with where the clay inside was collected. A bone dry, unfired decorative pitcher is on the right, and various pottery pieces are visible in the background. The objects sit on a work table within the context of an apparently active pottery studio. Various pieces of pottery and kilns can be seen in the background.
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Nina Zina
that's so cool to see all the different colours of glaze!
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